2019 – 20 Members Traveling Exhibition
M. Robyn Wall, Everything Dies in Winter, Lithograph, 2014, 24” x 32”, www.mrobynwall.com
Lisa Turner, Bodily Possessions #2, Screenprint, 2018, 14” x 11”, www.lisaturnerart.com
Andrew Testa, Composition (Folded Plants, 5) Photopolymer gravure chiné-colle 2017, 11 x 15”, www.andrewtesta.ca
Eszter Sziksz, Mom, print with milk, 2018, 25" x 20", www.esztersziksz.com
Ralph L Steeds, The House is on Fire #4 – Sign of the Times, Color Lithograph, 2018, 14" x 10.5", www.ralphlsteeds.com
Mike Sonnichsen, Recombinant Chromosapien, Lego letterpress, 2018, 14"x11", www.mikesonnichsen.com
Jillian Sokso, After Laughter, relief, serigraph and hand stitching on layers of Matsuo kozo, 2018, 23”x17”, www.jilliansoksostudio.com
Qiaoyi Shi, Green Melon, 18” x 24”, Edition of 10, 3 color screen print, 2018, 20”x25”, www.qy-shi.com
Jason Scuilla, Meteor with Prepper, multi-plate etching, sugarlift, 2017, 21x15”, www.jasonscuilla.com
Jennifer Scheuer, Dreams and Wisdom, Color Lithograph, 2017, 10” x 20”, www.jenniferscheuer.com
Nick Satinover, Sprawl Song (3), Lithograph, 2018, 15” x 18”, nicksatinover.com
Benjamin D. Rinehart, Coping Mechanisms, pressure print, letterpress & reductive woodcut, 2017, 22” x 15”, www.benrinehart.com
Meghan Pohlod, Confrontation 1, 2017, Toner Transfer, Woodblock, Monotype, Chine Collé, 36” x 19”, www.meghanpohlod.com
Nathan Pietrykowski, Pile Panic, Lithograph, 2014, 14” x 11”, npietrykowski.com
Heather Parrish, Transverse Atopia Screenprint, 2017, 22" x 30", www.heatherparrish.net
David Newman, Instrumental Oversight, lithograph, 2015, 20" x 16", home.earthlink.net/~davidrnewman/index.htm
Heather Muise, Sacred Ground, 4 Plate Etching, 2017, 11" x 14", heathermuise.com/home.html
Megan Moore, It Grew With Frog Legs, Collaged monotype, relief, photo intaglio prints, 2015, 20”x15”, www.onemooremegan.com
Kimiko Miyoshi, from here to there: scotch tape test, 2015, lithograph, on Rives BFK white paper, 13” x 10.5”, kimikomiyoshi.com/portfolio
Sara Method, Navigation 1, 6-color reduction linocut, 2017, 7" x 10”, www.saramethod.com
Michelle Martin, Tethers Photopolymer Etching with chine colle, 2016, 18" x 14”, www.michellemartinprintmaker.com
Eddy A Lopez, Nicaragua: Surviving the Legacy, Archival pigment print, 2017, 28” x 18”, eddyalopez.com
Heather Leier, Protective Air, inkjet, chine-collé, screenprint, 2017, 28”x 32”, www.heatherleier.com
Janne Laine, Misty Island, Heliogravure and Aquatint, 2016, 16" x 20", www.jannelaine.net
Andrew Kozlowski, Dark Days (March), linocut and screenprint 2018, 19”x15”, www.andrewkozlowski.com
Landa King, New Mexico Bench, collotype, 11" X 14", 2015
Trishelle Jeffery, Soloed, Lithograph and Screenprint, 2018, 17.5" x 22.5", www.trishellejeffery.com/
Aleksandra Janik, Impossible perfection II”, digital print on mirrored paper, 2017, 28" x 18.8", www.ajanik.com
Benjamin Iluzada, Trip to the Market, Handmade Transparent Abaca Paper with photo inclusion, relief printing and embroidery. 2018, 16” x 10.5”, www.beniluzada.com
Richard Hricko, A-3 II, Copperplate Photogravure on Somerset Satin, 2016, 20" x 25", www.richardhricko.com
Mark Hosford, The Scout, Screenprint, 23” x 22”, www.sugarboypress.com
Magdalena Hlawacz, My Place, mixed technique, 2016, 16” x 28”
Adriane Herman, Wreckage Salad (grey pallet), monotype, 2016, 28.5" x 20", www.adrianeherman.com
Carol Hayman, Water’s Edge, 2017, Photo Intaglio, 11 x 15 inches, www.carolhayman.weebly.com
Nicole Hand, Compressed Observance, etching & lithograph, 13"x12", 2015,
Lee Hackett, Barbara Jo, Silkscreen, 2018, 18” x 24”, www.blackdogpress.com
Trevor Grabill, A Home Under the Oaks, Woodcut, 2017, 15” x 19”, www.flatmtnpress.com
Beth Fein, Reclamation, photo etching with chine collé 2018, 20” x 24”, www.bethfein.com
Maria Erikson, Interlude (V), stone and offset lithography, 2017, 19.75" x 15.75", www.mariaeriksonartworks.com
Joshua Ege, Someone Show Me a Sign, 3 Color Silkscreen on 120C Neenah Classic Crest, 2017, 20" x 16", www.joshuaege.com/
Doug Eberhardt, Unnatural Monoliths, silkscreen printing, 2018, 22”x28”, www.dougceberhardt.com
Barbara Duval, Untitled, solarplate etching, 2015, 20" x 16"
Justin Diggle, Paparazzi Drone, Photo Polymer Intaglio, 2015, www.justindiggle.com
Seth Daulton, Site XL/V, Lithography and monotype, 2018, 14" x 20", www.sethdaulton.com/index.html
Briar Craig, WILL YOU MAKE, hand-pulled ultra-violet screen print, 2018, 29.5” X 22”
Savannah Bustillo, Noam Chomsky’s ‘Knowledge of Language’, Pages 4 and 5 Citrasolv transfer and pronto plates, 2017, 16.5" x 19", www.savannahbustillo.squarespace.com
Noah Breuer, Scooter Girls, 2018, Woodcut (2 colors), 23" x 16", www.noahbreuer.com
Joan Dix Blair, Oakle Drypoints #2 drypoint etching, 2018, 22.5" x 15", www.joandixblair.com
John Bergmeier, Confession and Mercy (telephone), Monotype - screen print on handmade paper and metalized ABS, 2018, 8” x 7”, www.johnbergmeier.com
Sherry S. Bell, Voyage, etching/collagraph, 2015, 11" x 15", www.sherrysmithbell
Diana Behl, Letter After, Intaglio, 2017, 12” x 15”, www.dianabehl.com
Kristi Arnold, Until the Night is Over, Watercolor and oil monotype, Dura-Lar, and colored pencil on paper, 2017, 16" x 22", www.kristi-arnold.com