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Zea Mays Printmaking
located in Northampton, MA two hours from Boston and three from NYC. Focus on safer and non-toxic printmaking. We offer open studio, workshops, residencies and internships.
http://www.zeamaysprintmaking.com
413.584.1783
Pyramid Atlantic Art Center presents the 11th Biennial Book Arts Fair and Conference, November 5-7, the preeminent book arts event on the east coast. Now in its third decade, the fair showcases a dynamic array of innovative book art, limited edition prints, fine papers, and specialty tools along with a rich program of notable speakers, demonstrations, special exhibitions, and four arts documentary films.
NEW! Contemporary Prints & Marketplace. Interested exhibitors are invited to apply until July 30th, 2010. This year’s fair promises to be a bigger and broader event with the addition of prints and Marketplace. Together with book art, the print component will further highlight the dynamism of the printed form, and the Marketplace will offer a first-class selection of specialty tools and hard-to-find materials.
This three-day event will connect international artists, scholars, collectors, publishers, and art lovers. Serving to inform and inspire, the Book Arts Fair and Conference is a celebration of the printed form and the book as art. Come join the Book (R)evolution! http://www.pyramidatlanticbookartsfair.org/
Integrative Teaching International is proud to present the first edition of its journal, Future Forward. Titled, “Four Minds for the Future,” this issue covers various topics discussed at ITI’s annual
ThinkTank event 2010, at the University of Georgia, Athens. To download this free journal visit: http://integrativeteaching.org/news/2010/9/13/future-forward.html.
Integrative Teaching International is an educational non-profit that provides emerging educators with the practice-based skills, knowledge, and experience needed for exemplary college-level teaching in visual art. Equally, it provides experienced educators with a forum for exploration, elaboration, and improvement of existing skills. Activities of this organization include conducting public discussion groups, forums, panels, lectures, or other similar programs and guidance to emerging educators. To apply for ThinkTank6, 2011 visit: http://integrativeteaching.org/thinktank-application. To apply for the special ThinkTank event at the FATE: Foundations in Art, Theory, and Education/ Mid-America Arts Association conference, 2011 visit: http://integrativeteaching.org/ttfate-2011.
A CALL FOR ENTRY
Wheat Farm Press Print Exchange 1:1
For our first project, Wheat Farm Press is establishing a quarterly print exchange, and juried publication of prints. The goal of this exchange is to promote the development of the finest artistic ideas and talents in contemporary printmaking. We want to further cement a strong printmaking community that continually challenges each other to reach new artistic heights. By participating in the Wheat Farm Press Print Exchange 1:1, you have the opportunity to present your fellow printmakers with your best possible artistic efforts, and in return receive ten prints that are indicative of a fellow printmaker’s dedication, care, thought process, and skill. We are looking for artists at any stage in their artistic lives to dedicate time to the development of an edition of eleven prints. We are looking for people who are passionately dedicated to printmaking, who don’t have access to a press, who have regular access, who print by hand, those who collage, make precise editions, make variable editions, those who can afford the time to work on prints every day, and those who sneak in time whenever possible to develop imagery. In short, we are looking for dedication to an edition, and not a quick or sloppy image. When you challenge yourself with this edition, you show your great respect for your peers within the print community, and give yourself the opportunity to compete for publication in the juried catalog. Please visit http://www.wheatfarmpress.com for more information on how to participate.
SUMMER ARTIST RESIDENCY at Emmanuel College, Boston MA.
Up to $2000 stipend for travel and expenses. 24-hour access to studios and on campus living quarters. Mid June to mid August.
Please apply to: Printmaking, Ceramics, Photography, or to any media that is in some way related to issues of social justice.
For complete information:
http://www.emmanuel.edu/Departments/Art/Artists_Residency_Program.html
Free two week studio residency for a “book artist” @
A.I.R. Studio in Paducah, KY; June 18-July 1, 2011
Artist must send eight images of artwork, resume
and paragraph of intent in an email by March 20th
to: Studio4214@yahoo.com
Printmaking Center of New Jersey
The Printmaking Center of New Jersey, a non-profit fine arts center specializing in print, paper and artists books, is accepting applications for the Konrad Artist-In-Residency program, a six-week residency for professional artists who are interested in developing new and innovative work in printmaking and related disciplines. PCNJ welcomes applicants with diverse perspectives, personal narrative and style. Applications must be post marked by March 1, 2011. Application and information at http://www.printnj.org PCNJ, 440 River Road, Somerville, NJ 08876 (908) 725 2110.
“2012″ Juried Graduate Portfolio Exchange
Juror: Shelley Gipson of Arkansas State University – Jonesboro
Elegibility for participation is open to all artists/printmakers currently enrolled in an MFA program or who have finished graduate school within the last 2 years.
More information and prospectus can be accessed here: http://nicolegeary.com/2012
Any questions can be sent to
nicole.geary@gmail.com or
nicole.geary@usd.edu
Apprenticeships: Landfall Institute of Graphic Arts
The Kansas City Art Institute and Landfall Press, based in Santa Fe, N.M., have announced the establishment of the Landfall Institute of Graphic Arts, which will offer six-month apprenticeships in Santa Fe.
The Landfall Institute of Graphic Arts will provide hands-on training for printers and other print-based artists in graphic processes such as lithography, etching, woodcut and digital printing.
It will prepare participants for professional application of the skills they acquire during their apprenticeship. A maximum of four apprentices will be accepted for participation at any one time.
Apprentices will work directly with Master Printer Jack Lemon as well as with Senior Printer Steven Campbell, director of Landfall Press, and a variety of invited artists.
To be eligible for admission to the Landfall Institute of Graphic Arts, candidates must have a bachelor’s degree or the equivalent.
Graduates of the Kansas City Art Institute are eligible to apply, as are printers or print-based artists from throughout the United States and around the world who meet the eligibility requirement of a bachelor’s degree or the equivalent.
Acceptance into the program is at the sole discretion of Landfall Press.
To apply for an apprenticeship, candidates must provide the Landfall Institute with:
• A completed application form, providing contact information
• Proof of a bachelor’s degree or the equivalent
• Three written recommendations from practicing artists within the field
• A digital portfolio of current work
• A statement of accomplishments and interest in the program
• A resume or curriculum vitae
A personal interview with Landfall staff is also required, accompanied by a selection of original works. Skype interviews may be accepted, but telephone or written applications, by themselves, will not be sufficient for acceptance to an apprenticeship.
The cost for a six-month apprenticeship is $9,600, payable to the Kansas City Art Institute. Estimated costs for room and board are $1,500 per month, and participants are expected to provide for their own accommodations as well as travel to and from Santa Fe.
If a participant is called to active military duty during an apprenticeship or required to withdraw for health reasons, the participant may request a refund in writing to Landfall Press with appropriate documentation. If approved, the refund will be made on a pro-rata basis.
Candidates will pay the cost for the six-month apprenticeship in two installments: One half is due at the beginning of the first three-month period, and, if a candidate does not continue for the second three-month period, no additional payment will be made. At the end of the first three months of an apprenticeship, Landfall staff will conduct a review to determine the viability of the apprentice’s continuation in the program.
To request a brochure about the program, which includes an application form, send an e-mail to info@landfallpress.com.
About Landfall Press
Landfall Press is preeminent among a handful of atelier/publishers throughout the world. It provides a printmaking workshop environment that is collaborative and inventive for artists, printers and those in apprenticeship. Landfall Press has published more than 650 editions of prints to date, representing a wide variety of contemporary ideas and trends.”
Major retrospective exhibitions of Landfall Press productions have been held at the Museum of Modern Art in New York and the Art Institute of Chicago, among others. Artists in the Landfall stable include Christo, Philip Pearlstein, Robert Cottingham, Vernon Fisher, Terry Allen, Robert Arneson, Lesley Dill, Kara Walker and James Drake, to name only a few.
About the Kansas City Art Institute
Founded in 1885, the Kansas City Art Institute is a private, independent four-year college of art and design that awards the Bachelor of Fine Arts degree in 13 areas of emphasis, ranging from animation to sculpture. The college also offers certificate programs in Community Arts and Service Learning and Asian Studies for students enrolled in the B.F.A. program.
The college is accredited by the Higher Learning Commission of the North Central Association of Colleges and by the National Association of Schools of Art and Design.
KCAI’s distinguished faculty, over the decades, have included Thomas Hart Benton, Ken Ferguson, Victor Babu, Dale Eldred, Jim Leedy, Rob Roy Kelley, Jack Lew, Wilbur Niewald and Jack Lemon. Noted alumni include Josh DeWeese, Sarah Jaeger, Richard Notkin, Irv Tepper, Kurt Weiser, Robert ParkeHarrison, Dan Christensen, Keith Jacobshagen, Ming Faye, Nick Cave and April Greiman, to name only a few.
# # #
Sanbao International Biennial Printmaking Exhibition,
Symposium, Workshop and Tour 2011
For the third time, The Sanbao Ceramic Institute is organizing a cultural tour and workshop in China in conjunction with the Sanbao International Biennial Printmaking Exhibition,
Symposium, Workshop and Tour 2011.
This is a three week trip that encompasses visits to contemporary galleries, presentations and lectures with university print departments, historical and cultural sites and villages, and workshops at the institute.
This is an exciting opportunity to meet artists from the east and the west and to explore a culture so rich in tradition.
For a complete itinerary and pricing, please contact Bill Pangburn at billpangburn@gmail.com.
Florence Workshops provides a high-level, very personal program in Florence with unique resources for our program. We host artists residencies where emerging and professional artists can work intensively with independence for an uninterrupted period of creative work.
Located in a historic 15th century palazzo in the center of Florence next to Piazza Santa Croce and steps away from the Uffizi Gallery and Ponte Vecchio.
info@firenze-artivisive.org
workshops.firenze-artivisive.org/
Anderson Ranch Arts Center is offering summer printmaking workshops with Daniel Heyman, Nicola Lopez, Alan Lerner, Enrique Chagoya, Brian Shure, Paul Mullowney, Lothar Osterburg, Elizabeth Ferrill, Nancy Friese, Michael Krueger, and Hiroki Morinoue.
For more information and to register, visit our website at http://andersonranch.org/workshops/courses/index.php?page=printmaking
or call Carrie Hennefeld at (970) 923-3181.
PORTFOLIO PRINT EXCHANGE titled… “Human Ingestion: a print exchange dedicated to animals and creatures that eat people.”
Eligibility: Open to all artists working in print media.
Application process: Send 3 digital images of recent print work to Sage Perrott at the email: sage.perrott@gmail.com. Please include media, dimensions, and contact information. A total of 25 participants will be included in this exchange.
Applications will be reviewed by Sage Perrott (Ohio University MFA Candidate ’13) and Anna Wagner (Ohio University MFA Candidate ’13).
Entry fee: 10 dollars, upon acceptance into the exchange
Edition size: 26 prints
Dimensions: 6″ x 9″
For more specifics or information, please e-mail Sage Perrott:
Thank you!
Workspace Program Residency
Established in 1990, the Workspace Program provides annual residencies to New York State emerging artists to create new work in handmade paper. The program encourages emerging artists to explore the creative possibilities inherent in the hand papermaking process, to develop this medium as a contemporary art form, and also promote the work produced in residency.
Workspace Resident artists will be selected by a panel and interview process. Each artist is paired with a master papermaker creating a unique collaborative experience where a new medium can be quickly learned and put into practice. Experimentation is highly encouraged throughout the residency.
The Workspace Program is open to emerging artists who live and work in New York State. Artists from all disciplinary and cultural backgrounds are encouraged to apply. Applications will not be accepted from students enrolled in undergraduate or graduate degree programs during the program year (July 2011 – June 2012). Applicants must be New York State residents and must be U.S. citizens or permanent residents of the U.S. Applications are only accepted via our online application; please do not mail or e-mail application materials.
For more information, or to apply online, please visit the residency page of our website at: http://dieudonne.org/main.cfm?chID=5&inc=residencies
CALL FOR APPLICATIONS FOR INTERNSHIPS AT WOMENS’ STUDIO WORKSHOP
WSW hosts 2-3 studio interns who assist WSW’s Artists-in-Residence with their projects, work with artist-educators in WSW’s Art-in-Education program, and participate in WSW’s Summer Arts Institute classes as studio assistants.
Typical interns tasks include, among others: preparing the studios; assisting in the production of artists’ books; designing, printing and distributing brochures and posters; administrative duties (including data entry and web maintenance) assisting in all aspects of the exhibition program; preparing the apartments for visiting artists/instructors; setting up evening programs; managing the set up and breakdown of lunch each day; assisting with preparations for fundraising events; and assisting in the day-to-day running of the studios, which includes general maintenance and cleaning.
Internships include housing and a stipend of $250 per month.
Please refer to the application guidelines on our website.
http://www.wsworkshop.org/_art_opp/intern_sixmo.htm
PRINTMAKING WORKSHOPS at Women’s Studio Workshop, Rosendale, NY. WSW invites artists of all genders, with all levels of background experience to join us for intensive 3-5 day long workshops in silkscreen, monoprint, intaglio and letterpress processes. WSW also offers classes in book arts and hand papermaking. Course descriptions available online at: http://www.wsworkshop.org/_class/class.htm. A limited number of scholarships for printmaking and book arts classes are still available. Contact sandra@wsworkshop.org for scholarship details.
PRINT Press Workshops, autumn 2011
Please join us for autumn 2011 workshops at Print Research Institute of North Texas (PRINT) Press at the University of North Texas in Denton, Texas. Complete course descriptions are available at http://www.art.unt.edu/print .
Relief Printmaking with Tom Huck
September 24, 2011
Learn the techniques of Northern Renaissance masters such as Albrecht Dürer from contemporary woodcut artist Tom Huck (http://www.evilprints.com/ ).
Binding Books and Constructing Cases with Charles Beneke
October 1 and 2, 2011
Bind two sketchbooks and make slipcase and clamshell cases for each with Charles Beneke (http://www.charlesbeneke.com/ ), associate professor at the University of Akron in Ohio.
Color Monotype with Michelle Martin
November 5 and 6, 2011
Explore multi-color printing and ways to integrate mixed media, collage, drawing––even sewing!––with Michelle Martin (http://www.littleurl.net/3721f7), associate professor at the University of Tulsa in Oklahoma
PRINT’s Website: http://www.art.unt.edu/print
Blog: http://untprintpress.blogspot.com
eMail updates: http://www.art.unt.edu/print/connect.html
Contact: print@unt.edu
Physical location: University of North Texas, 1120 W. Oak St. (Oak St. Hall Annex), Denton, TX 76201
Eight-week letterpress workshop at Penland School of Crafts
Type, Plates, Production with Paul Moxon, September 25 – November 18, 2011. Hand typesetting, Vandercook, book design, nonadhesive bindings, and more.
Complete information: http://penland.org/classes/fall/fall_8.html
Winter residencies in print and letterpress at Penland School of Crafts.
These residencies are designed for eight artists or writers in each studio who would like to work with a lead printmaker or letterpress printer for two weeks in January, 2012. The first session is January 2-15; second session is January 17-30.
Application deadline: September 15, 2011.
Complete information: http://penland.org/programs/special_programs_print_res.html
Littlest Print Exchange 2012
Submissions are currently being reviewed for the Littlest Print Exchange 2012, an international juried portfolio of 50 prints. Participants in this 4th annual exchange are asked to consider the theme of “Proclamation and Propaganda”.
Eligibility: Open to all artists working in any print media.
Application process: Email a portfolio of recent work. Notification of acceptance will be made by January of 2012, after which a due date will be announced.
Entry fee: Upon acceptance into the exchange, a $15 entry fee must be paid via paypal to secure a position.
Edition size: 51 prints (50 returned)
For complete information, visit http://littlestprintexchange.com/index.html
“Driving Force”
Print Exchange
Deadline: January 5, 2012
Contact Information:
CoastalSunshine@rocketmail.com
Send submissions to:
Coastal Sunshine
c/o Arianna Warner
21 Mann Street
Irvine, CA 92612 USA
Drive verb /drīv/: Self-motivation usually connected with ambition; a sustained determination in the face of challenges.
We are all faced with challenges daily, some greater than others. But, it is how an individual handles these challenges that truly show who we are as a person as well as our inner strength. Nonetheless, you are free to interpret this theme however you like.
Requirements:
All print techniques will be accepted, including but not limited to: relief, lithographs, intaglio, etchings, silk screen, and digital prints. Mixed media will also be accepted. *All editions must be identical*
11 identical submissions required with Submission Form, 10 different prints will be returned. 1 print will be kept as apart of the Coastal Sunshine Collection and will possibly be exhibited.
Entrees must include a pre-paid, pre-addressed envelope to return prints in. Estimated prints returned by 5-2012.
Paper size: 5×6 inches. Please include the following information on the back of each print: Artist name, title, media and year (required), Contact information: e-mail address and/or physical address (optional)
Must use interleafing or glassine paper between each print
Please include up to a single page artist statement & a $5.00 entry fee (cash or check made out to Arianna Warner)
RSVP to CoastalSunshine@rocketmail.com by Dec 20, 2011.
**Submission forms will be provided at the time of RSVP.***
ARTIST IN RESIDENCY @ LILLSTREET
Residencies begin September 1 and end August 31 and include:
• Workspace and flat file storage in one of the print department classrooms.
• 24-hour access to the print shop facility including our collection of Letterpresses with wood and metal type. (Please see the print blog http://www.lacprintmaking.blogspot.com for a full list of our presses, tools and other printmaking equipment)
• Collaboration with Hummingbird Press L.A.C.
• Monthly stipend of $200
• Free classes in any department at Lillstreet
• Opportunities to teach (paid)
• Group exhibition with other resident artists
To apply please submit the following to http://www.lillstreet.slideroom.com:
• 10 images of work completed in the last 3 years
• Résumé/CV
• Artist Statement
• 1 page personal statement that covers what you hope to accomplish personally and what you hope to bring to the Lillstreet community
• Names and contacts of 3 references
• $15 application fee
For more information, please visit our website: http://www.lillstreet.com/artist-in-residence
Please contact Emily Schroeder Willis if you have any questions at emilyschroeder@lillstreet.com
Emmanuel College Artist in Residence program (ECAR) invites applications for summer 2012: Ceramics, Printmaking, Photography, and Social Justice. Up to a $2000 stipend is provided. Artists have individual studios and on campus living quarters.
For complete info: http://www.emmanuel.edu/ecar
This opportunity is for artists with teaching experience and knowledge of intaglio, silkscreen, or hand papermaking who are interested in creating their own work while also working with local public school students.
Women’s Studio Workshop’s Art-In-Education Program, Hands-on-Art (HOA), is a collaboration with the Kingston City School District and has become a national model for arts education. HOA provides a high quality arts experience by bringing students to a professional arts space to spend concentrated time learning printmaking, papermaking, and book arts.
Fall Fellows Requirements: Must have teaching experience and knowledge in one of the studio areas (silkscreen, papermaking, or etching). Fellows teach one day per week and pay $300 for a four week fellowship. In exchange they receive access to the studio of their choice (during open studio hours).
See website for application instructions
Postmark Deadline: March 15
Notification Date: June 1
http://www.wsworkshop.org/_art_opp/artopp_fellow_aie.htm
Clay Fellowship (September 2012 – February 2013)
WSW offers a limited number of special fellowships to potters who make bowls for the annual WSW Chili Bowl Fiesta. At Chili Bowl Fiesta, one of our local fundraising events, community members choose from over 800 handmade bowls and tumblers filled with piping hot chili or drink.
* Fellowships are awarded through a jury process.
* The cost to Fellowship recipients is $200 per week plus materials.
* The award includes on-site housing and all-hour access to our studios.
* The facilities feature complete studios in intaglio, silkscreen, hand papermaking, photography,
letterpress, and ceramics.
* Three- to six-week sessions are available each year from September through June.
* Artists are given a studio orientation, but should be able to work independently.
* A thorough WSW studio introduction is provided at no charge.
Potters who will make 50 glazed bowls or 100 bisque bowls will receive a 50% discount off the fellowship fee.
Postmark Deadline: March 15
Notification Date: June 1
Studio Fellowship (September – December 2012)
WSW Fellowship opportunities are designed to provide concentrated work time for artists to explore new ideas in a dynamic and supportive community of women artists.
* Fellowships are awarded through a jury process.
* The cost to Fellowship recipients is $200 per week plus materials.
* The award includes on-site housing and all-hour access to our studios.
* The facilities feature complete studios in intaglio, silkscreen, hand papermaking, photography,
letterpress, and ceramics.
* Four- to six-week sessions are available
* Artists are given a studio orientation, but should be able to work independently.
* Technical assistance is available for $35/hour.
* A thorough WSW studio introduction is provided at no charge.
Postmark deadline: March 15
Notification Date: June 1
Application details are available online at http://wsworkshop.org/_art_opp/artoppfellow.htm
Studio Residency
Women’s Studio Workshop offers a six- to eight-week residency for an artist working in printmaking, papermaking, photography, book arts, or ceramics. This residency supports the creation of a new body of work in one of WSW’s studio disciplines.
The grant includes a $2,000 artists’ stipend, up to $500 for materials to be used for the project at WSW, travel stipend, housing and unlimited studio use. The artist will be provided with technical advice and assistance in production. WSW welcomes applications from artists in all stages of their careers. This Request for Proposal is a two-step juried process, working with outside funding sources. WSW selects the artist, then sends their work to appropriate funders for final approval. WSW has a successful track record with funders for this project.
Postmark deadline: April 1
Notification Date: June 30
Beisinghoff Printmaking Residency in Germany
Work in a beautiful printmaking studio in Diemelstadt-Rhoden for up to four weeks. Two artists will be awarded this residency located at Atelierhaus Beisinghoff, less than an hour away from Kassel, Germany. This year the residency will coincide with dOCUMENTA 13 which takes place in Kassel June 9th – Sept 16th, 2012.
Images, thoughts and words from different viewpoints come together when artists from different continents converge to use the facilities at Atelierhouse.
Atelierhaus Beisinghoff offers studio space and access to: Letterpress Studio with Korrex flatbed press and Garamond, Helvetica, Futura, and some Bodoni Antiqua and Wallau typefaces; Intaglio printing studio with Plankenhorn etching press for papersize up to 132 x 180 cm.
Accommodation is free of charge and provides a shared apartment with a shared bath, library, kitchen, living room, garden, and a sewing and ironing room. Travel costs, food, paper and special colours are paid by the artist in residence. Artists prepare lunch together. Local press is invited for a presentation during the residency.
You will find information about the rural landscape in the blogs
atelierhausbeisinghoff.blogspot.com
womensstudioworkshopdiemelstadt.blogspot.com
You can also view more images from Atelierhaus Beisinghoff on our Flickr Site
Postmark deadline: April 1
Notification Date: May 1
See website to apply. http://www.wsworkshop.org
THE COLLABORATIVE PRINT: An Island Press Master Class with Trenton Doyle Hancock
June 4 -22, 2012
Sam Fox School of Design and Visual Arts
Washington University in St. Louis
This three-week workshop provides participants a unique opportunity to immerse themselves in the environment of workshop printing with visiting artist, Trenton Doyle Hancock and master printer Tom Reed.
For more information visit samfoxschool.wustl.edu/summer/hancock or email Belinda Lee at lee@samfox.wustl.edu
PRINTMAKING IN RURAL ITALY
Monday April 16th – Friday April 20th, 2012
A week-long print intensive Plein Air & Mixed Media Printmaking in Rural Italy: Exploring Monotype amidst the Garden Splendor of Galeazza.
Make art & eat great food in a remarkably beautiful place.
Castello di Galeazza, Pepoli, Emilia-Romagna, Italy / http://www.galeazza.com/galeazzaonline/index.html
Tuition: $350
Materials fee: $95
Castle Accommodations: 50 EU ($70 US) includes all meals.
Contact / dnpetrillo@gwi.net / 207-568-3224 / 735-8237
We will be creating monotypes inspired by our direct experience of botanicals and landscape just as plein air painters do. We will be exploring a number of techniques for making painterly one-of-a-kind monotypes using additive light field, subtractive dark field, trace drawing, stencil and stamp methods. We will be combining foam plate reduction relief printing, photo transfer, rubbing (found texture frottage) and chine colle with our painterly techniques for making a dynamic series of archival monoprints and monotypes on a variety of papers including kozo and cotton in color, black and white. 6 hours per day will be spent printing with instruction, and a 24-hour studio space within the castle’s horse stables adjacent to the gardens will be open for printing. I and my studio assistant will be available as a resource throughout.
Dina is a sculptor and printmaker, and began teaching with UMaine’s Hutchinson Center in 2004. She runs the Post Office Studio Workshop in Belfast, Maine and holds a BA in Human Ecology from College of the Atlantic, an MA in Arts and Art Education from Columbia University and an MFA in Interdisciplinary Arts from Goddard College.
http://www.dinapetrillo.com
http://www.galeazza.com
SUMMER ARTS INSTITUTE – WORKSHOPS
During our Summer Arts Institute, Women’s Studio Workshop is filled with creative inspiration. We work all year to gather a group of talented instructors to share their skills in over 20 creative art workshops. The carefully targeted instruction in printmaking, papermaking, book arts, ceramics and fiber arts features workshops that present innovations within these traditional media. Crossing boundaries is what we’re about as we intertwine encaustic, printmaking, and papermaking with the cooperation of our friends at R&F Handmade Paints, the finest manufacturer of oil sticks and encaustics in the U.S. Register online before March 31, 2012 for our $50 Early Bird Discount. http://wsworkshop.org/_class/sai.htm
SUMMER PRINTMAKING WORKSHOP IN TUSCANY. This summer the Tuscan Workshop will be held at Antica Tenuta Le Casacce. Our Italian Workshop coordinator, Susan Fateh has selected this exquisite new site because it features breathtaking views whichever way you look, ample and well lit indoor work-space opening out onto a private terrace, pleasant, charming bedrooms, and sublime food prepared by a top Roman chef.
This panoramic location about 3 km from the medieval village of Seggiano, is an ideal place for experiencing fine Italian cuisine in an evocatively authentic Tuscan setting. Dating back to the 13th Century, the villa’s recent renovations have rendered it comfortable without losing traditional character and it basks in unspoiled countryside full of native flora and fauna. Students may opt for private rooms or double occupancy and partners and friends are welcome at a 20% discount.
Immerse yourself in art-making with seasoned printmaker and gifted teacher Susan Amons. The class will focus on monoprinting incorporating the highly refined techniques Susan has developed over years of printing. A day trip to nearby Siena is included. Friends and partners are welcome to join students at a 20% discount. Registration deadline is March 31, 2012. Visit http://wsworkshop.org/_class/italy.htm
II LA CALACA PRESS International Print Exchange
La Calaca Press invites you to participate in the II LA CALACA PRESS International Print Exchange and Exhibition. This exchange is open to printmakers from the USA and abroad. The purpose of this exchange is to promote printmaking and create connection with artists around the world.
Requirements:
· Deadline date: Prints must be received by May 15, 2012.
· Please RSVP by e-mail to: calacapress@gmail.com
· Theme: “CALACAS” Day of the Dead / Open to your own interpretation.
· Media: Any traditional Printmaking process: Relief, Linocuts, Woodcuts, Intaglio, Lithography, Serigraphy, Collograph, etc. – NO DIGITAL PRINTS OR PHOTOCOPIES -
· Paper Size: Must be 9 inches by 7 inches. Print/image size is open.
· Edition: 15 identical hand-pulled, original prints, include glassine sheets or tissue paper between each print, cut to match paper size (9”x7”).
· Fee: $20.
MORE INFO: http://calacapress.blogspot.com/p/call-for-printmakers.html
· A Portfolio of 12 randomly selected prints will be mailed to each participant in July 2012. We will keep 3 Prints from each edition submitted to the exchange: 1 print will remain at La Calaca Press and two for traveling exhibitions and promotional purposes.
· Exhibitions: TBA. Check out http://calacapress.blogspot.com for updates or http://calacapressinternationalprintexchange.blogspot.com
· Please RSVP by e-mail to Carlos at calacapress@gmail.com and mail submission to:
Carlos Barberena 324 Washington Blvd. Apt. 3G, Oak Park, IL, 60302 USA
Call: Summer Artist Residency 2012
Are you looking to focus on a new body of work, meet practicing artists and be surrounded by the beautiful landscape of rural Ontario? Spark Box Studio is now accepting Summer 2012 applications.Spark Box Studio’s Artist Residency Program provides live/work space to accommodate both emerging and professional printmakers. Artists-in-residence have access to our professional studio and resources. The Residency Program affords artists the space and time to support the advancement of their careers and to strengthen their practice.
Our program also offers a variety of career building opportunities for artists including our Emerging Artist Guide, opportunities for business workshops with local professionals and consultations with local artists and curators.Artists-in-residence stay with us, Chrissy and Kyle, in a charming century home located just outside the town of Picton in Prince Edward County, Ontario, Canada. Interested artists may apply to live and work at Spark Box for a duration of one weekend to 2 months.Spark Box Studio can facilitate up to three residents at any one time. Residents receive a bedroom and a dedicated studio space. Visit out website for more details: http://www.sparkboxstudio.com
885 County Rd. 5, Picton, ON, K0K 2T0
613.476.0337
http://sparkboxstudio.com/residency/
The Center for Forgetting is situated in the pristine post-industrial oasis of Allentown Pennsylvania. We offer a residency based program with visiting artists and opportunities for site specific projects. Artists receive a free private live/work studio as well as access to a shared 4,000 sq ft workspace.
The Patacademy Residency is interested in Artists and Writers with a focus on the role memory plays in creating symbolic language systems.
Works based on Performance, Sound Art, Generative Art, Kinetic Sculpture, Intermedia, Video Art, Graphic Notation, Visual Poetry, Data driven Infomatics and Conceptual Aestetics are the only criterea for the selection process. Applications are reviewed on a rolling basis. Please include a detailed written proposal with any supplementary materials including a project timeline for consideration.
Please Visit Our Site.
http://cargocollective.com/TheCenterForForgetting
Zygote Residency Program
Zygote is currently soliciting applications for two separate, two-week residencies in the Summer and Winter of 2012. Qualified residents will be established printmakers from the US and abroad, seeking to work on a special project in Zygote’s facilities in Cleveland, Ohio. The recipient will receive: two-week stay in the ZPASS loft (live-work accommodations), a stipend of $200, as well as full access to the print shop during their two-week residency. In exchange, Zygote requires that resident’s give a lecture or informal demonstration during their residency, and a work made at Zygote be donated to our archive. Travel costs are not included in the residency award.
ZPASS
Space Description
The live-work apartment is located in Zygote’s E.30th Street building in the heart of Cleveland’s burgeoning ArtsQuarter. Considered to be the epicenter of Cleveland’s Asia Town, this mid-town location has access to dining, shopping, parking and public transit. Just a mile from the heart of downtown Cleveland and well-placed near the highway, Zygote Press is an ideal location for a resident artist to participate in the local community while living in a vibrant urban setting. Zygote Press staff and Board will aid artists in finding resources if they are not familiar with the area.
The ZPASS space is located on the second floor of Zygote’s building and has already been designated a live-work space. The two-bedroom studio is a heated 1,500 square feet with ample work space, a complete kitchen area with a stove, refrigerator and microwave.
Application Procedure
Please identify Summer Residency, Winter Residency or Inter SWAP Residency on your application. If you can do both time slots, please indicate preference.
Resume•
Artist• Statement
SASE•
Names and contact information for 3 people able to
• provide a reference for you
Documentation – 15-20 images burned onto a CD
• (Mac and PC compatible)
Format – JPG, no larger than 1 megabyte each
Please number each image with number and last name
(Example 01smith.jpg)
Include an image list with the following information
Title, date, size, medium, and content description if needed
No PowerPoint or Keynote presentations please
Letter of Interest (No more than 1000• words)
• This should include a project proposal detailing the specific work you will make at Zygote. Please also describe why a residency, the Zygote facilities, and/or geographical location are necessary to complete your project. How will this residency further your goals in printmaking?
Deadline for Residency Applications
Residencies are fixed dates that fit into both our residence and programming schedules. These are predetermined and cannot be negotiated. The (2) two weeks residency deadlines are as follows-
All application submission are due on April 20th
Summer residency beginning on June 17th- 30th
Winter Residency beginning on Nov. 4th-17th
Internship SWAP Residency beginning on July 8-21st
The Studio Internazionale di Grafica: Working Artists Residencies in Venice, Italy
Founded in 1969, the Scuola Internazionale di Grafica in Venice is a vibrant center for Printmaking and Book Arts in the heart of one of the most beautiful art capitals in the world. Each month Italian and international artists come together to work in the Scuola’s independent Studio Internazionale di Grafica in 1 to 12 week Residencies in well equiped print studios, to exchange inspirations ideas, experiences and techniques, and explore and expand their individual creative work.
Information and online application:
http://www.scuolagrafica.it
April 9th, 2010 1:36 pm:
RESIDENCY: SPUDNIK PRESS’ Local Residency Program; Chicago, IL
Spudnik Press’ Residency Program provides the resources, equipment, and space for one artist per season to develop a body of print-based work. We hope to encourage and enable the production of high quality prints, and to contribute to the development of an emerging Chicago artist.
Spudnik Press will provide the Artist in Residence with materials for his or her project, unlimited access to the shop, and general feedback and assistance from Spudnik Press’ studio monitors and assistants. At the conclusion of the residency, Spudnik Press will host a reception displaying the work created during the 3 month period.
visit http://www.spudnikpress.com/residency for complete details and to download the application.